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Broken China![]()
| 80% Recommended by our customers. Label: EMI Europe Generic Catalog: Music Release date: 1996-10-14 Media: Audio CD discs number: 1 Ean: 0724385364525 Upc: 724385364525 Artist:
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| Album tracks: (16) |
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| Professional Review: |
| Brand new solo album by the Pink Floyd keyboardist, with Sinead O'Connor appearing as guest lead vocalist on the tracks 'Reaching For The Rail' and 'Breakthrough'. The album has a Floyd sound and look throughout, thanks to their designer Storm Thorgerson. |
| User Reviews: |
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Summary: Patchy, but very nice patches with the album having much in common with the Division Bell (age, musicians, sleeve art etc) i was expecting it to be like the Division Bell, which it isn't, with the obvious exception of Coming Back To Life. When it works it is fabulous, but this only comes in spurts: the guitar solo on Along the Shoreline, Sinead O'Conner on Breakthrough. There are few songs which are classics, yet musicianship and production values often lift them above the ordinary. It is th production that so often marrs the album, though. Night of a Thousand Furry Toys is a horrid with dated dance beats and embarassing lyrics (Wright can't seem to bring himself to sing the chorus). It is a song that seems like a joke , yet the album is entirely without humour, and the album never really recovers from this track. It's only in the less gloomy momens that the album picks up, and these are few and far between. A real mess, whilst still hinting at greatness. Summary: Floyd in Spirit and Quality Who would have thought that the best solo work by a member of Pink Floyd would come from keyboardist Rick Wright? Like most Floyd records, it is a concept album. Broken China tells the story of a woman's battle with depression. A very Floydian type theme indeed. There are 16 tracks on CD broken up into 4 sections representing the phases of the illness and recovery process. 8 of the tracks are instrumental. Ironically, I feel these tracks forward the narrative better than most of the songs with lyrics and vocals. Musically, the CD is very strong. Mr. Wright uses a variety of keyboards to great effect without trying to dazzle us. Sinead O'Connor provides vocals for two key tracks. But it is the rhythm section of Manu Katche on drums and Pino Pallidino on bass that earn this CD its fourth star. Roger Waters and David Gilmour could take a lesson from this one! Summary: Rick Wright Ã~ Broken China O CD "Broken China", do ex-teclista dos Pink Floyd, editado em 1996, não é mais do que o outro disco. O disco, que em meu entender, destapa do lado menos iluminado de uma banda como os Pink Floyd, alguém fundamental, que coexiste ocultado por essa enfraquecedoura grandeza colectiva. É um disco onde me surge como ideia central uma paragem necessária de uma rotina; uma paragem que permita repensar o percurso feito até esse mesmo ponto. A necessidade deste acto de introspecção, advém de uma daquelas vontades que nos sujem sem que para isso arranjemos uma explicação só por si suficiente. Todo este processo está representado num mergulho num ambiente purificador que não difere muito do ambiente subaquático, onde o silêncio, a ausência de ruídos, me parece ideal para nos escutarmos melhor, uma vez que dentro de água os ruídos acabam por ser no mínimo diferentes. E mesmo a própria ideia de mergulhar na água transmite-me a ideia de uma certa forma de libertação. O autor da música do disco molda esse ambiente, que se pode reconhecer como fruto da vivência Floydiana, algo psicadélico e que me leva a aceitar esta minha visão de mergulho purificador como aceitável. São 16 temas que fazem o todo de que é esta obra, que o seu autor destina: "To all those brave enough to face their past." Dedicatória algo provocante mas muito correcta, uma vez que para se enfrentar o passado há que fazê-lo individualmente, e isso implica o isolamento social, que como se sabe abafa fortemente os problemas individuais de cada um dos seus elementos. Mas este acto de enfrentar o passado, a meu ver é mais profundo do que á primeira vista pode aparecer, é uma paragem que acaba por resultar num reencontro profundo com aquele que, por falta de se encontrar, parou. Deixo a minha percepção de algumas faixas: "Breaking Water", a primeira música do disco, leva-me perto do sítio que julgo fundamental para compreender o que quero explicar: O Princípio; já no disco que Mike Oldfiel criou inspirado no livro "The Songs of Distant Earth", encontro essa harmonia de começo. Algo que sendo muito simples, apaga os ruídos residuais, que pertinentes, custam muito a abandonar a paciência que o Homem tem, para o que recebe do mundo através dos ouvidos. Paciência esta necessária para receber outros estímulos. A música de "Night of Thousand Furry Toys", segura a ideia que a letra de Anthony Moore transmite de um novo mundo que não nos pode ser de todo, assim tão estranho. É esta dupla quem nos apresenta: "Hidden Fear", que nos fala disso mesmo, de dores de adultos. Dores, ou medos recalcados ou escondidos, necessários para que as crianças passem a adultos: crianças que mantêm na solidão tudo o que sempre nos fica por compreender. A corrida flui como nos passam os dias quando não sobra tempo, ou não se possui conhecimento capaz para conceber toda a novidade que espreita e aparece tão rapidamente, com o nosso contacto com o mundo exterior: o fascínio, ou a pacífica contemplação da novidade em "Runaway", "Unfair Ground" e "Satellite". Em "Woman of Custom" está explicita a mudança, para uma necessária construção de caracter. Este tema é muito bonito porque a fraca voz de Rick Wrigth contrasta com a enorme força das palavras que canta. "Interlude" apresenta em conjunto com ""Black Cloud" uma qualquer nova fase. É um desarmónico ruído que se limpa perfeitamente em "Far from the Harbour Wall". É a imagem da desorientação de quem já não é amado, resulta num mergulho, num ambiente algo aquático no tema "Drownig". Depois vem a voz quente de Sinead O'Connor colorir com a luz familiar de uma qualquer balada clássica do "The Wall", (esse tal mergulho que mais não é senão a representação do reencontro de quem provavelmente já está a começar a perceber o gozo que dá encontrar-se de novo, após esse inevitável afastamento individual para manter uma relação amorosa entre duas pessoas) na canção "Reaching for the Rail". Em "Blue Room in Venice" acontece um frustrado procurar físico da ideia que é amar-se alguém. É a revelação de alguém que por já ter amado, cai na loucura, no desespero de não possuir objecto que lhe realize a vontade. Vejo neste disco um pacífico e curioso olhar sobre o que pode ser uma vida, que sem ainda terminar, necessita de uma certa pausa para poder depois continuar. Summary: A Great Musician Regains his Confidence As if Pink Floyd keyboard virtuoso Richard Wright hadn't already made himself a "mystery musician" with his complex dazzling music and one-sided empty grin, his 1996 solo fare "Broken China" firmly established that enigmatic tone his music has always seemed to take. Perhaps the most fulfilling thing about Wright's "Broken China" is that the keyboardist is found back in tune with himself, his purpose, and his music. Wright is often known to be unsatisfied with a lot of his work, and a bad case of writer's block in the late 1970s resulted in his exodus from Pink Floyd and two less than perfect solo projects. However, with "Broken China," the confidence which Wright regained from his reunion with Floyd has obviously paid off as he goes solo once more. This 16-song cycle is a semi-conceptual piece dealing with the state of depression, something Wright's music expresses without flaws; his glistening musical arrangements blend together in a surreal flow, with the classic electronic touch. Former Pink Floyd session-contributor Anthony Moore's assistance is worthwhile on such great tracks as 'Night Of a Thousand Furry Toys,' 'Woman Of Custom,' and especially 'Reaching For the Rail' and 'Breakthrough' (both of which see Sinead O'Connor in guest spots). But Wright's work alone in the musical value makes "Broken China" the great work it is, evident on 'Satellite' and 'Sweet July.' "Broken China" may very well be Richard Wright's masterpiece so far, even if the "new age" label is a bit far fetched. The confidence of a great musician is back and gleaming, and the album's ultimate result is above satisfactory. Summary: "To All Those Brave Enough to Face Their Past" The artist himself acknowledged in interviews that he knew it wouldn't be a bestseller, and seemed to have accepted it. But it seems a terrible shame that a man could pour out his heart--and in such beautiful fashion--and go unheard. Broken China is on a level with Mr. Waters' solo work Amused to Death. I don't say that lightly. But to compare it any further to ATD would be to do both works a disservice. Both are certainly concept albums. However, while ATD has a lyrical focus and the music takes a supporting role, Broken China has a more musical focus, with the lyrics of Anthony Moore in a supporting role. Broken China is the harrowing, but ultimately inspiring story of two individuals alone: the narrator, Mr. Wright himself, and his wife (then his girlfriend--her first name is Millie). Openly emotional in nature, this story will bring you to tears. The story is very personal to Mr. Wright--the experience of watching his girlfriend endure clinical depression. Mr. Wright wrote this album, in part, as a means to help deal with the aftermath of this painful episode. The album is divided into four sets, each containing four songs. Each part deals with a particular "phase" of his girlfriend's life. Most of it is "narrated" by Mr. Wright, but two songs are sung by Sinead O'Connor, who represents his girlfriend. Here's a quick summary as I understand it, but I feel that in this case I have to be careful in stating my interpretations, since this album deals directly with the lives of two real individuals. In Set 1, Mr. Wright describes the childhood abuse his girlfriend endured--some of it probably sexual (from "Hidden Fear": "Why do we feel this adult pain/And hold these secrets that don't belong?"). If the title of this set's last song relates the true course of events, she runs away from home. Set 2 deals with womanhood and her attempts to repress all the pain of her childhood--but the pressure keeps building. Set 3 deals with the breakdown, the depression, and the terrible pain it caused both his girlfriend and Mr. Wright himself. In Set 4 she makes a gradual, but eventually successful recovery with Mr. Wright giving her his love and support. (After the events of the album itself, Richard and Millie Wright married--a true happy ending after a harrowing ordeal.) The sound of the album itself is difficult to describe--quite otherworldly in many places, almost verging on techno for a few tracks (most notably "Satellite"), but nearly classical on a few others (most notably "Hidden Fear" and "Blue Room in Venice"). Yet another instrumental track is reminiscent of The Division Bell's "Cluster One" ("Sweet July"). Always otherworldly, the album shows off the wide range of musical moods and textures Mr. Wright is capable of producing. Though he often goes unrecognized, Mr. Wright's work truly is an influential, if sometimes subtle part of the Pink Floyd sound. Mr. Wright's vocals are noticeably different on Broken China than any of his earlier work. Probably the closest comparison would be to TDB's "Wearing the Inside Out." However, to many of the songs, there's a much more melodic quality to his singing--he makes much more use of vibrato than any other Floyd member ever has (ex. "Hidden Fear"), but he takes care not to overdo it. Mr. Wright's singing is not harsh or overbearing. Though his voice is rather deeper-sounding than fans of early Floyd would be accustomed to, his voice hasn't suffered over time-it's as clear as ever. Mr. Wright said in an interview that in the making of Broken China he felt freer to experiment with his voice to find a way he felt most comfortable. To my ear, it came out wonderfully. Though the music is probably the primary focus for most, the lyrics are emotionally very powerful. One of the most powerful examples is in "Far from the Harbour Wall": "Now, because I could not cope with pain My heart really went out to Mr. Wright here--it sounds as if he's blaming himself for everything that's happening to her, and how painfully strong the love is that he has for her. Oh, how that hit home--I could feel it so strongly. I cried when I heard this, because I felt his pain as if it were my own...just as it seems Mr. Wright felt HER pain as HIS own, not to mention his own private pain from what he was seeing. "To all those brave enough to face their past," says the album's dedication. Indeed--it took a great bravery for Mr. Wright to do this. He may be quiet, but there's no denying that he is truly brave. The same applies to Mrs. Wright for agreeing to let him create Broken China and to eventually decide that she was all right with letting him tell the full story about her. This is an album about an issue that affects one out of ten people. ONE out of TEN--think about that. "We were cut off from our lives, by a wall of pain, It HAS a name, and it CAN be treated. I think that is part of the reason that Mr. Wright released this album--so perhaps someone out there somewhere might be spared the suffering the two of them endured. This is the deep bravery that arises out of love--this is what offers hope in the darkest of circumstances. This is the secret of Broken China. "To all those brave enough to face their past." |
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| Our price | $12.98 | $10.99 | $36.99 | $10.99 | $10.97 |
| List price | $12.98 | $11.98 | $49.98 | $11.98 | $18.97 |
| Lowest used price | $6.55 | $2.48 | $24.79 | $5.79 | $3.95 |
| Lowest new price | $6.54 | $6.14 | $27.21 | $6.79 | $6.96 |
| Collectible price | - | $11.74 | $49.99 | $19.99 | $18.94 |
| Catalog | Music | Music | Music | Music | Music |
| Release date | 1996-10-14 | 1992-09-01 | 2008-09-23 | 2006-09-12 | 2006-03-07 |
| Media | Audio CD | Audio CD | Audio CD | Audio CD | Audio CD |
| discs number | 1 | 1 | 4 | 1 | 1 |
| Format | - | - | Live | Original recording remastered | - |
| Ean | 0724385364525 | 0746447127282 | 0886973454725 | 8287681516248 | 8287680280256 |
| Upc | 724385364525 | 746447127282 | 886973454725 | 828768151624 | 828768028025 |
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